Showing posts with label historically significant bikes. Show all posts
Showing posts with label historically significant bikes. Show all posts

Tuesday, 28 April 2020

Glenn Hammond Curtiss - The Original Hell Rider

Glenn Hammond Curtiss

Who was Glenn Hammond Curtiss, and how does his legacy relate to the introduction of a new concept in cutting edge American electric motorcycle design? This is a question many followers of the Curtiss brand have asked. Perhaps they wonder why a prominent name in American aviation would be applied to a motorcycle, presuming it's a mere nod to a famous name to garner some recognition for a new brand. A few might be aware of Curtiss' involvement in early American motorcycling and his daring records that stood for decades, but they might fail to understand how this relates to the electric revolution Curtiss promises to offer.


Glenn Curtiss
The truth is that Curtiss draws upon a long legacy of innovation, skill, risk-taking, and American ingenuity from a golden era of American exceptionalism that is perfectly summarized by the life and work of Glenn H. Curtiss. The Curtiss of today seeks to push the boundaries of design, engineering and performance while offering an heirloom quality machine designed from first principles that are unlike anything offered by their competition. These are the very same principles espoused by Curtiss in the earliest days of American motorcycling, so it is fitting that the Curtiss of today seeks to pick up where the Curtiss Motor Company left off more than 100 years ago. Curtiss seeks to continue a legacy of innovation that was driven by the vision of one remarkable man whom they have proudly designated their namesake: Glenn Hammond Curtiss.  

Thursday, 22 May 2014

Imme R100 - Purity of Design

Riedel Imme R100 Motorcycle
Image Source

There are rare moments of remarkable clarity and forethought in the realm of motorcycle design, when machines are produced with such innovation and beauty that they are scarcely credible as products of their time. These motorcycles can occupy one of two positions in subsequent conception: they can be held aloft as gamechangers, as the designs that pushed the goalpost forward and forced everyone else to catch up, or they can fade into obscurity only to be appreciated by a limited few who recognize how advanced they truly were. Many remarkable designs fall into the latter category, the genius of their creators only recognized long after they pass into anonymity once the rest of the industry has caught up to the future that was laid out well in advance. Appreciation of these machines is only possible in hindsight when we see how their details foreshadowed subsequent trends.

German motorcycle designer Norbert Riedel was one such forgotten innovator, and his Imme R100 proved to be a masterpiece of design that has only began to earn true appreciation in recent decades. Once a cheap and cheerful form of transportation that was designed and built within the restrictions of a postwar economy, the Imme became one of the most fascinating examples of motorcycle design to emerge during the mid-20th century – and would prove to be one of the most beautiful motorcycles of any era. They were a machine out of time, a vehicle that applied nascent principles that were still decades away from the mainstream, and a series of ingenious design elements unified into a coherent whole that has since earned the accolades of some of the world’s motorcycle elite. The Imme was not just a cleverly constructed motorcycle, it was one of the most beautiful pieces of modern industrial design that nobody has ever heard of.

Wednesday, 26 March 2014

Orley Raymond Courtney's Motorcycles - Birth of the Cruiser

1952 Cycle Magazine Enterprise Motorcycle
Image Source

For the purpose of today's article I'm going to make a broad generalization: the cruiser is a relatively recent invention that was concocted in the boardrooms of at least one major manufacturer. There was once a time when Harley Davidsons and Indians were simply styled in the manner of their era and were just as susceptible to being stripped to their bare essentials and ridden in anger as anything coming out of Europe. Their styling was once current, their performance once competitive, their function never intended for weekend warriors escaping office drudgery in leather-clad road pageants. The overwrought modern cruiser and the carefully cultivated image of its riders were but a distant glimmer in the eye of a clever marketing maven.

It could have been different. It should have been different. The cruiser wasn't born in the boardrooms of Harley-Davidson in the 1980s. It was the product of a man with a singular vision, whose work would prove to be under appreciated and his skills as a remarkable designer and craftsman virtually forgotten. These prototypical cruisers weren't created by tacking tassels onto nostalgic throwback machines – they were an optimistic vision of the future welded out of steel tube and beaten out of sheet metal in Orley Raymond Courtney's workshop before being rolled out into an ignorant world in the mid-1930s, and once again in the early 1950s. Courtney's work was bold, innovative, and without peer in the United States, or anywhere else in the world. Above all, it was beautiful. And it is now virtually forgotten, his stunning and forward-thinking designs contributing to a future that never happened.

Monday, 10 February 2014

DKW Supercharged Two-Strokes - Force-Fed Deeks

DKW supercharged SS 250 Ladepumpe motorcycle Barber Museum
DKW SS 250 at the Barber Museum

There is a saying that used to be shared in history circles, with a wry smirk, which has since become a minor cliche: “History is written by the winners”. Hackneyed though it may be, there is a great deal of truth in that old platitude. Be it in politics or in motorsports, odds are the story you know is the one that has been informed by the success of those who came out ahead. In the case of DKW and their series of once-dominant supercharged motorcycles, the company's successes have been drowned out by the tides of history. Some of the fastest, most advanced, and technologically interesting two-strokes of the 1930s have nearly been forgotten due to the company's unfortunate national ties – the once-famous Ladepumpe and supercharged “Deeks” became victims of historical circumstances beyond their control.

Monday, 25 February 2013

Norton P86 750 Challenge - Norton's Last Gasp


Image Source
When we think of the death of the British motorcycle industry in the 1970s, we generally recall the final generation of cantankerous, leaky, vibrating, old fashioned crock-pots being foisted onto an increasingly apathetic market. These were conservative and under-engineered machines that harkened back to an earlier era of motorcycle design (and lax quality control). With the advent of oil tight, reliable, well built, and fine-riding Japanese motorcycles (with – gasp – electric starters), the writing was on the wall for most of the British marques. Some made a last-ditch attempt to stave off failure by hurriedly cobbling together something that might be competitive against the Japanese onslaught.

Monday, 11 February 2013

Ducati 916 SP/SPS - Ultimate Desmoquattro Superbikes, Part I


Seems that lately I’ve been on a Ducati kick. So far we’ve covered bevel heads and belt heads, so lets continue with the next generation of Ducati performance – the Desmoquattro. In this two part article I will cover the development and execution of the 916 Sport Production models, the ultimate Desmoquattro Superbikes. 
Seems I cover the 916 a lot on this site. Funny that.  

It’s 1985 and Ducati, with fresh capital and encouragement from new parent company Cagiva, is making a major gamble on the engine design of a talented young Italian engineer by the name of Massimo Bordi. Bordi’s engineering thesis was for a four-valve per cylinder desmodromic cylinder head, based on the principles of desmo valvetrains that had become a signature of the Ducati brand. Famed engineer Fabio Taglioni had developed the original Ducati desmo system, and then refined it with his belt-driven overhead cam Pantah design, but it was clear by the mid 80s that further development would be needed to keep Ducati twins on the podium.

Monday, 26 November 2012

Curtiss V8 - World's Fastest Motorcycle



It’s January 24th, and on a beach in Florida and a daring young man has just blasted across the sand at 136.3 miles per hour run on a V8-powered motorcycle of his own design. He built the engine, he built the bike, and he rode the frightening looking machine across Ormond Beach himself.

The man is Glenn Hammond Curtiss, and the year is 1907. Curtiss has just piloted his monstrous 4000cc V8 into the record books and become the (unofficial) absolute world land-speed record holder for the next four years.